Plot Details: This opinion reveals minor details about the movie's plot.
Anyone whos read many of my movie reviews knows of my predilection for well-acted, high quality gangster films. Of these there have been a-plenty in the past two or three decades. The Godfather Trilogy, Goodfellas, and Pulp Fiction have rapidly become the standards by which the best gangster dramas are measured; and other recent films like Gangs of New York, Donnie Brasco, and Heat, while not quite approaching the stature of the aforementioned trio of gangster classics, certainly rank among the best of the genre.
Now another film may be added to the list of luminary films dealing with organized crime: Road to Perdition, a masterfully acted, beautifully written, and gorgeously produced film released in 2002. Starring Tom Hanks, Paul Newman, Jude Law, Stanley Tucci, and Tyler Hoechlin, and directed by Sam Mendes (American Beauty, 1999), Road to Perdition features a superb cast, a thought-provoking and highly original premise, and a story line that will keep viewers on the edge of their seats for the films entire two-hour running time.
Road to Perdition centers on a Prohibition-era, small-town Irish Mafia "family" of bootleggers, run by John Rooney (Newman), an outwardly benevolent, aging paterfamilias whose genteel exterior masks a savage ruthlessness. Michael Sullivan (Hanks) is Rooneys chief "enforcer." Sullivan, a stonily quiet, tightly controlled family man, is husband to Annie (Jennifer Jason Leigh) and two young sons: twelve year-old Michael (Hoechlin) and eight year-old Peter (Liam Aiken.)
Perhaps the most important theme of Road to Perdition is the examination of father-and-son relationships. At the outset, we witness a distant, aloof relationship between Sullivan and his oldest son Michael; and a much more demonstrative relationship between Sullivan and Peter. There is also a very close relationship between John Rooney and Sullivan much closer than that between Rooney and his own son and heir not-so-apparent, Connor. While Michael Sullivan Junior struggles to understand why his father expresses his love for his brother Peter more openly than he does with him, an embittered, middle-aged Connor Rooney seethes with jealously as he watches his father give the senior Michael Sullivan the paternal affection that Connor feels rightfully belongs to him.
How this drama between fathers and sons plays out forms the central theme of the film. At the outset, an inquisitive Michael Junior, curious to know exactly what the father he idolizes does for a living, stows away in the family car, just before his father and Connor take it on a routine "enforcement" mission. Soon, the unsuspecting boy, while hiding, sees his father and Connor commit an act of murder. Hes quickly discovered at the scene by Connor.
This is just the opportunity Connor needs to rid himself of his perceived rival for his fathers affections, and hes quick to exploit it. After setting up the elder Sullivan for assassination (which Sullivan alertly and adroitly avoids), Connor visits the Sullivan home and murders Sullivans wife and son. Unfortunately, its the wrong son that Connor kills. Now he must face both the wrath of a grief-stricken Michael Sullivan Senior and of his own father, John Rooney.
Michael Sullivan and his son quickly leave town, both to hide from the "hit men" that Sullivan is sure will come for them, and to plot revenge against the man who slew Sullivans wife and son. Meanwhile, John Rooney is faced with a terrible choice: either to surrender his son, whom he despises, to a fate he deserves at the hands of the man he loves like a son; or to save his son, and order the death of the man he loves like a son
The balance of Road to Perdition is a story of a father and son on the road, and how their relationship develops over a period of weeks. While he plots his revenge against Connor Rooney, Mike Sullivan Senior decides to seek the protection of the Al Capone family in Chicago. Rebuffed by Capones chief lieutenant, the urbane Frank Nitti (played by Stanley Tucci), Sullivan heads toward a secret hideaway at Perdition, a small lakeside town in the Midwest, where his sister-in-law has a small, secluded house. Meanwhile, an eccentric but highly effective "hit man" named Maguire (Jude Law) has been retained to deal with the Michael Sullivans
When Road to Perdition was first released to theaters, it was billed as "A Triumph!" and as "Tom Hanks Like Youve Never Seen Him!" Im usually pretty skeptical of movie trailers, but in this case, I would say they were pretty accurate. Road to Perdition is, indeed a triumph on many levels and Tom Hanks performance as Michael Sullivan is nothing short of superb
As are all performances. Hanks, normally a jovial, relaxed, "laid back" on-screen presence, plays Michael Sullivan as a man so tightly in control of his inner demons and emotions that he seems likely to explode at any second. Yet, his love for his family, and especially of his surviving son, are always readily apparent. Paul Newman is equally outstanding as John Rooney, the Irish Mafia chieftain whose reality is summed up in his words: "we are all murderers in this room!!" Twelve year-old Tyler Hoechlin turns in a remarkable performance as Michael Sullivans oldest son, Michael.
Technically, Road to Perdition is a feast for the eyes and ears. The screenplay, adapted by David Self from the graphic novel written by Max Allan Collins and Richard Piers Rayner, is intelligent and thought provoking. (Having never read the graphic novel, I cant make any judgments upon how accurately the screenplay reflects the original work.) The sets and costumes reflect a tremendous attention to detail. John L. Williams and Thomas Newmans musical score is sumptuous and always a perfect compliment to whats going on on the screen. And the late Conrad Halls Academy Award winning cinematography gives the movie a beautiful texture.
There is a dank, rain-soaked pessimism, fueled by a resignation that all the characters lives are somehow consigned ahead of time to whatever Fate determines, that permeates Road to Perdition. It's a pessimism that descends into gloominess, even dreariness at times. Yet, despite its outward melancholy, Road to Perdition still manages to retain a sense of optimism in the face of the most horrific of environments in which the characters find themselves. As the films end credits rolled, I somehow found myself feeling good about the way Road to Perdition ended, and the overall message it conveyed to me...
THE DVD: The DVD edition of Road to Perdition contains many of the most popular "extras" that people have come to expect: directors commentary; a "Making of " documentary; deleted scenes; production notes; and cast and crew notes. One particularly noteworthy feature is a "soundtrack for the visually impaired," where the on-screen actions of the characters are read (very competently, by an uncredited female narrator) between the lines of dialogue. (Dialogue also appears as subtitles.) As with all DVD editions of the most recent movies, audio and video quality is first-rate. There are both full-frame and widescreen (2.35:1 aspect ratio) editions of the DVD available for purchase.
MY VERDICT: Although Road to Perdition may not appeal to every movie viewers tastes, it is an extraordinary film that, in many ways, transcends the typical "gangster movie" genre. Seeing Tom Hanks and Paul Newman in their respective roles is alone worth the price of the DVD. A superbly produced, written, and acted film in every respect. Highly recommended!
Recommended:
Yes
Viewing Format: DVD Video Occasion: Fit for Friday Evening Suitability For Children: Suitable for Children Age 13 and Older
Set in the Depression era, a mob hitman (Hanks) unravels after his wife is murdered and his son finds out exactly what his father is. Now Hanks takes ...More at HotMovieSale.com
Epinions.com periodically updates pricing and product information from third-party sources, so some information may be slightly out-of-date. You should confirm all information before relying on it.